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Color Swap is another interesting creative shooting mode that allows you to switch any colors of your choosing within the scene with any other color as a target. As with Color Accent, Color Swap offers other limited choices when shooting still images. You can swap colors by going through the simple method described in the next numbered list to switch between the chosen and desired colors using the Display button, right and left arrow buttons, and the Control dial. In my preliminary tests, Color Swap produces images with a posterized feel to them, including lots of grain and contrast but with pleasantly unexpected results. In the example images that follow, I swapped the yellow of the foliage with a green color of a recycle bin. Notice how the camera substituted green for any of that speci c color yellow it determined was in the shot.
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4.17 Original afternoon scene of fall leaves shot as a baseline in Landscape mode. Taken at ISO 320, f/4.5, 1/250 second with a 25mm lens setting.
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4.18 Selecting only the yellow of the leaves in Color Accent mode renders everything else in black-and-white tones. Taken at ISO 320, f/4.5, 1/250 second with a 25mm lens setting.
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4.19 In Color Swap mode, I switched the normal yellow color of the leaves with a hue from a green plastic recycle bin to go back in time when the leaves were green. Taken at ISO 320, f/4.5, 1/250 second with a 25mm lens setting.
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To use Color Swap, follow these steps: 1. Select Scene Modes (SCN) on the Mode dial. 2. Rotate the Control dial until Color Swap appears on the LCD. 3. Press the Display button. The image on the LCD alternates between the original scene and the Color Swap scene. 4. Aim the center white outline on the LCD at the color you want to swap out. 5. Press the left area of the 4-Way Controller to sample the color. 6. Use the up and down areas of the 4-Way Controller to adjust the sensitivity of the color selection. A range of +/ 5 is available. A +5 setting allows more of the shade of the selected color to be swapped out. 7. Aim the center white outline on the LCD at the color you want to insert. 8. Press the right area of the 4-Way Controller to sample the new color. 9. Press the Display button to accept the settings. 10. Press the Shutter button to take the picture.
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Color Accent and Color Swap can only be used in JPEG capture and are not available when shooting RAW images.
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It is easy to set up a Custom Color pro le for your G11 camera by following these steps: 1. Turn the camera on and be sure you re in one of the modes described above. 2. Press the Function/Set button, then press the down area of the 4-Way Controller to select My Colors. Press the right area of the 4-Way Controller to select the Custom Color icon. 3. Press the Display button to enter the Custom Color selection menu. 4. Use the up/down areas of the 4-Way Controller to select the options available in Custom Color and the right/left areas to change their values. Moving the indicator arrow to the right increases the effects of the control; moving it to the left decreases the effects of the control. 5. Press the Display button again to accept the changes and return to shooting.
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Early in my photography career, I felt that ashes caused just about as many problems as they solved. Even with the latest ash technology, which was auto-thyristor circuitry at the time, my results were less than stellar and often inconsistent. While attending a Dean Collins workshop about light in general, and studio ash in particular, I began to see light in a new way. Photography became less about the gear and more about the light. It was an epiphany, and it made a lasting impression on me. Taking the time to learn about using ashes to light your photos will also bene t your natural-light outdoor photography. You ll be sensitive to the nuances and quantities of light in a brand-new way, and you ll now be positioning the camera to take advantage of it. You ll literally begin to see the light. The ash on your PowerShot G11 comes equipped with features to make ash photography a breeze. Experiment with these settings to nd out what works best for your kind of photography. You can access all the onboard ash controls by following these steps:
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