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of tools exist to optically correct the image, both built within Photoshop and as plug-ins available to be purchased and used in Photoshop. There are also standalone programs, in particular DxO Optics Pro. DxO does a very good job on lens problems such as distortion, keystoning, and color fringing, although it lacks some of the Perspective tools. I don t use this program, but it s been highly recommended. In terms of the Photoshop and plugin tools, these are the best options I ve found: 11.8 Big building, little man. Using a 24mm tilt-shift lens helped keystoning by using the shift function. I wasn t able to get quite as much shift as I needed, and applied further correction in post-production. ISO 200, 1/500 second at f/4.
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Perspective tool. This tool is a
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standard part of Photoshop. Found in the Transform submenu of the Edit menu, this tool o ers many options in terms of adjusting all three axes of the image. Use it with caution, however.
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Architectural Post-Processing Techniques
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Due to the lack of ne tuning as well as the limited amount of shift on the TSE lenses, images shot on the Canon EOS-1Ds Mark III system tend to require more post-processing work to line up optically. You can,
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Skew tool. Also located in the
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Transform submenu of the Edit menu, Skew sometimes comes in handy in conjunction with the Perspective tool.
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Warp tool. Another of
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Transform tools, the Warp tool lets you work with the entire image or just a part of the image. This is de nitely a cheat tool, in that it allows you to
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11 Architectural Photography
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11.9 Tiny kitchen. ISO 200, 1/2 second at f/4, 14mm 2.8 L II lens. literally warp or dis gure parts of the image to make them look better. That is, it can warp warped elements to make them appear normal! tive control than the Photoshop Perspective tool. Buildings and other objects can be leaned downward or away, the left or right side can be pulled in or pushed out, and so on; it s a virtual reset of adjusting the camera s position on the three axes. Keep in mind that you do end up cropping the images as the adjustments are made.
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Plug-in corrections. There are
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two plug-ins that I use: PT Lens and LensFix CI. Both are similar, and both are very good. These plug-ins access the same database of a great number of lenses, and so optical issues such as barrel or pincushion distortion of those lenses can be corrected manually or automatically. The plug-ins also allow ner perspec-
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Merge multiple exposures. As
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mentioned previously and throughout this book, capturing the same frame at various exposures allows multiple options to pull in all exposure values.
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202 Part III In the Field with Your Canon EOS-1Ds Mark III
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Stitching. As mentioned earlier in
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this chapter along with the technique earlier in this book, the multiple frames photographed to work together are layered into one le, all layers are selected, and then the Auto-Align feature is used to align the images together. Smart Sharpen, Unsharp Mask with a relatively low amount of sharpening applied and high radius, PhotoKit Sharpener, and so on. As always, there s a balance between bringing out detail without increasing noise. And you may often tend to over-sharpen images just because you can; a more lm-like e ect could entail less sharpening while adding a subtle grain layer.
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Sharpening. Various sharpening
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techniques are used to bring out details in the image without oversharpening. These can include
Landscape and Nature Photography
ne thing I ve learned is that the more time you spend in one place, or keep returning to one place, the more is revealed to you. I m fortunate to live in San Francisco, and so every day o ers a continuing lesson in how each day is visually wonderfully unique. Although many think of landscape or nature photography as a relaxed and slow type of experience, which it certainly can be, chasing the light is always an adventure, not to mention the physical work often involved in getting to the right location. Particularly during the golden hours of dawn and dusk, the light is changing second by second. You can go through a world of lighting in 20 to 30 minutes, from deep dawn to sunrise and then to bright sky, or from sunset through darkening dusk and into night. Thus, strong skill sets are required in terms of knowing your gear and having the ability to operate quickly.