Preparation and considerations in .NET

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Preparation and considerations
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Photographing your pet is a great way to get started in the realm of animal photography. Your little friend already is comfortable with you and you are both able to read each other s moods. Engage your pet or have someone else do it as you start noticing backgrounds that will work for portraits. Have treats and snacks available and always reward good behavior.
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If you have a photo trip or vacation coming up where there stands a good chance of seeing some major wildlife, I always recommend a trip to a zoo or wildlife reserve to hone your skills and get you in the mental zone of photographing animals. Zoos are a great resource for practicing your wildlife photography skills and to make decisions on exposure and white balance, to check on an animal s reaction to ash, and also to practice other skills that may need to be addressed before you take a big trip.
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6.39 A couple of alligators cool off on a hot day in North Carolina. Taken at ISO 800, f/8, 1/60 second with a 25.4mm lens setting.
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A trip to the zoo will clue you in to how your camera technique is working for this particular genre of photography. Shooting in Continuous mode improves the chances of getting a great shot of some animal behavior or activity that will result in a lot more keepers when a real situation arises. Depending on the size and nature of the game you will be photographing, you have the option to dress in camou age, sit quietly in a blind or tree stand, or rig up remote cameras that are triggered by motion or sound detectors.
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6 Ever yday Picture-taking Situations with Your PowerShot G11
6.40 A little onboard ll ash really pops the colors of this peacock at the Oregon Zoo. Taken at ISO 100, f/8, 1/100 second with a 30.5mm lens setting.
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Wildlife tips and advice
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Much of the same gear I use for travel and landscape photography goes with me on wildlife shoots or shooting pet portraits for friends. Keep these ideas in mind the next time you re stalking big game photographically, of course! Zoom your lens. Whenever possible, zoom out to the telephoto setting. This allows you to remain inconspicuous to the animal, enabling you to catch it acting naturally. Tripod and monopod. Having a lightweight but sturdy tripod such as those from Manfrotto, Gitzo, and Cullman is indispensable. In addition, a versatile ball head with a sturdy quick-release plate increases the steadiness and speed of shooting. Polarizer and neutral density lters. A circular polarizer can enhance the saturation and color of certain types of skins and fur as well as reduce re ections on re ective surfaces. Circular polarizers are speci cally designed for use with autofocus cameras and usually come with an adapter ring included with the lter to secure the lter to the camera.
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Remote Switch RS60-E3. A good companion tool when using a tripod, the Remote Switch RS60-E3 replicates all function of the camera s AF/Shutter Release button to ensure vibration-free operation for macro or timed exposure work. Identical to the Shutter Release button on the G11, you press the remote button halfway down to focus, then all the way down to take the picture. The Remote Switch is great when shooting animals because often you want to be aware of your surroundings shooting wildlife and make eye contact with your pets to get their best expressions when photographing them. Sound-maker or whistle speci c to the animal. Lots of outdoor stores have bird whistles or sound-makers that attract a wide variety of wildlife. Use sparingly to attract them, and then put them away so as not to confuse your subject into thinking there is food or a mate close by. Be careful. Know the behavior patterns of the animals you re photographing and always be aware of their proximity to you. Even domesticated animals like horses and dogs can be intimidating if they do not know you. Keep your peripheral vision on alert and never get into situations without an escape plan.
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6.41 Shoebill posing at the Philadelphia Zoo. This fellow was being ignored by the zoo guests, which allowed me plenty of compositional options by being able to move around and not bump into anyone. Once I set up my tripod, we soon drew a crowd that wanted to see what was going on! Taken at ISO 100, f/5.6, 1/15 second with a 30.5mm lens setting.
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