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You may often encounter situations where you want to process several tracks with the same effect or automation. For instance, you might wish to apply reverb to all the tracks, but using different amounts of reverb for different tracks. Or perhaps you want to perform a gradual fade on a group of tracks, but leave the others untouched. The way to implement these and other tricks is to use busses.
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Busses are only available in the Pro version of ACID.
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You ve already been using busses this whole time, perhaps without realizing it. The audio for all tracks is routed by default to the master bus, which is located at the bottom of the track list. On the master track, you can click the Master FX button and add effects onto the entire mix, just as you did for the individual tracks. You can also automate the pan, volume, or effect parameters for the entire mix just as you can with individual tracks. Your envelopes will not be drawn over events, as they were in the individual tracks, because busses do not hold events, but rather process the output of other tracks or busses. But what if you want to affect the volume of only a subset of your tracks with a volume envelope Rather than copying the envelope in each track, which would create all sorts of headaches if you wanted to change the envelope later, you can route the tracks to a new bus. Although in practice, this would be useful only for projects of more than two tracks, you can learn the techniques on this two-track project by following these steps: 1. Choose Insert Bus. If you cannot see a new bus appear at the bottom of your track list, click the divider between the track list and the master bus, and raise it until you see Bus A underneath the master bus. 2. On each of your tracks, a square icon appears to the left of the Track FX button. If you click one of these square icons, a drop-down menu appears, letting you choose where to route your signal. Change the routing for each of your tracks to Bus A. You will see the square icon replaced with the letter A. What this means is that your tracks audio is routed to Bus A instead of directly into the master bus. Bus A is then routed to the master bus. Your tracks will first be sent through whatever effects and automation are on the individual tracks. The audio is mixed together onto Bus A, and then processed by any effects or automation you want to put on Track A, mixed together with the output of any other busses, and processed by any effects or automation you have on the master bus.
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If you were to play your project at this point, it would sound the same as it did previously, because Bus A contains no automation or effects yet.
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3. Click the Bus FX button of Bus A, and select the Reverb effect.
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4. In the Audio Plug-In window (it may be called Bus FX if it s docked) drag the Dry Out parameter slider all the way down to its lowest value of Inf. Press the Play button. The entire mix sounds drowned in reverb. 5. Click the A button to the left of the Track FX button in Track 1, and change the routing from Bus A back to the master bus. Press the Play button again. Now the vocals are drowned in reverb, but the instrumental is unaffected. What if you want just a little bit of the reverb effect on the instrumental, and a little bit more reverb on the vocals Luckily, you can route the track signal to the master bus, and at the same time route some of it to Bus A. Here s how: 1. Click the A to button the left of the Track FX button of Track 2, and change the routing from Bus A back to the master bus. The mix will now have no reverb, because no sound is routed to Bus A. 2. Zoom in vertically using the vertical zoom controls. If you zoom enough, all the controls will be displayed in the track list, including a multipurpose slider on each track labeled Bus A. These sliders control how much of the signal is sent to Bus A in addition to the main routing, determined by the letter (or square) appearing to the left of the Track FX button. 3. Turn up Track 1 s Bus A value to around -10 dB, and turn up Track 2 s Bus A value all the way up to 6 dB. 4. Press the Play button. Notice how you can hear both tracks clearly, and the instrumental has a touch of reverb, while the vocal has a lot. 5. Play around with the Bus A sliders to hear the effect that different values have on the overall sound. If there are multiple busses (or assignable effects, discussed shortly), you can change the multipurpose slider by clicking the label to the left of the slider and selecting the bus you want to control. Using busses in this manner can play an important part in mastering, which is discussed in detail in 12.
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