Composing for Nose Room in .NET framework

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Composing for Nose Room
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A video portrait can be ruined by not leaving enough room between the person s face and the edge of the frame when he or she looks to one side or the other Compose the image so the subject s nose is squashed against the frame edge, and he or she seems to be staring into a wall a most uncomfortable visual situation for both the subject and the viewer Psychologically, viewers are more relaxed when there is empty space (nose room) between the subject s face and the frame By framing either right or left, depending on the subject s position, your final picture will be more visually pleasing The nose room concept also applies to objects If you are shooting a car, a truck, or anything with a definable front and back, make sure its nose is not slammed tight against the frame Leaving space between the object and the frame is especially important when the subject is moving across your field of view at a right angle For example, if a person or object moves through the frame from left to right, it looks better to leave space in front of the movement, on the right side of the frame, to give the person or object a visual destination Nose room is not a problem when the person or object is facing directly toward or away from the camera Remember, you can t force viewers to look at your images Good composition is a powerful technique that encourages them to look at your work, even if they have no interest in your chosen subject
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Thinking about Color
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The most important thing to remember about color is that your viewer s attention is drawn to the most colorful areas of the scene For example, if you shoot an interview with a talking head standing in front of a crowd of people, including a young man wearing a bright red shirt, your audience will spend more time looking at the man in the red shirt than at the speaker
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Understanding the Image Capture Process
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Composing with the Rule of Thirds
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The rule of thirds is a concept you can learn to help you avoid compositions where all the elements are perfectly balanced (symmetrical balance) Unbalanced compositions (asymmetrical balance) create a visual sense of motion, an effect that makes the most ordinary object, such as a chair or a soda, visually exciting For example, if your subject s eyes are the most important part of your picture, zoom in on the eyes and focus to ensure sharpness Then, no matter whether you choose a wide-angle or a telephoto view, tilt up or down until the subject s eyes are even with the top one-third of your viewfinder s image area (which may be outlined in a grid pattern) This gives a more pleasing, inviting composition within the frame An excellent way to learn the finer points of this basic rule of composition is to study TV programs, paintings, photographs, posters, and feature films to see how the rule of thirds is applied to a variety of subjects
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To avoid visual distractions, pay attention to bright or colorful objects that may divert your audience Frame your image so the brightest colors or lights are in the area of the shot that is the focus of attention Bright and/or colorful objects have a dramatic effect on the composition of your shots They must be considered as having additional visual weight compared with the darker areas of your image If you place a dark subject next to a bright object, your viewers will look at the brighter area, even though the dark subject is the center of interest
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