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Factors Affecting DOF and the Visual Impact of Your Image DECREASES DOF Telephoto setting Low light Low f-stop setting Close-ups
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INCREASES DOF Wide-angle setting Bright light High f-stop setting Long shots
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When you point a camera in any direction, you put a frame around a specific part of the scene, recording some elements and not others Put an object or a person in the viewfinder frame, and that object or that person becomes important to your audience Leave out an item, and it will never exist for your viewers The way you compose a shot tells your viewer that you believe that one part of a scene is more important than other parts Creative videographers and Webcasters consider all the visual elements in the viewfinder frame and ask how each will affect the audience s interpretation of the scene To begin thinking about composition, remember that while you live through the experience, camcorder in hand, you react to all the different levels of stimulation: sight, sound, smell, touch, and taste No matter how good your technique, your video record of the event only stimulates a viewer s sight and hearing, a small part of the event This is your challenge as a videographer You must learn to use the limited resources of video and audio to communicate what you feel and think about the event while you try to capture its reality electronically How close your audience comes to sharing your vision of the reality you capture on videotape or film depends on your technical skills and your mastery of the art of visual communications
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Before you begin to think about the creative content of your video, you must make sure that your images are in sharp focus and there is no possibility of accidental camera movement Sharp focus is guaranteed by
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following the steps outlined earlier Camera shake, on the other hand, can be a serious problem, even for experienced videographers when they shoot without a tripod All camera manuals and video textbooks insist that a tripod is essential to getting steady video images However, a tripod s weight and bulkiness hinder the creative freedom made possible by using lightweight, portable camcorders
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Tripods are ideal for use in controlled shooting environments: advertising productions, instructional demonstrations, speeches, or other public presentations settings where you are not shooting spontaneously to capture unrepeatable, unpredictable action Handheld videography is perfect for spontaneous, unpredictable events: news, sports, music performances, demonstrations, parades, birthday parties, and weddings, where a tripod cramps your freedom to capture the event from different points of view
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Learning to shoot without a tripod is like learning to drive a stick-shift car, even though most automobiles are equipped with automatic transmissions Learning the art of good handheld technique will improve your tripod shooting dramatically, while increasing your shooting options greatly
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To ensure steady images with a handheld camera: 1 Set the lens at the maximum wide-angle position 2 Set the lens focus at 5 to 7 feet The wide-angle lens position and this focus setting give you maximum DOF with sharp focus from about 18 inches in front of the camera lens to infinity in bright sunlight This range guarantees sharp focus no matter how close or far away your subject is These techniques will keep you from zooming into the action with a telephoto lens and force you to shoot from different angles and positions a benefit you will appreciate when you edit your footage The wide-angle setting also forces you to move the camera closer to the subject for medium and close-up shots You will automatically end up with a greater variety of shots to use during editing
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If you must use a handheld telephoto shot, find an improvised support to keep the camera steady lean against a wall, a chair, or a car; prop the camera on the ground, on a table, or against a bookcase If you cannot keep the image steady in your viewfinder, you are wasting shooting and battery time
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